CITYist

Call them artistic soul mates or simply products of the same aesthetic movement, but photographers Jim Marshall and Timothy White produce eerily similar work—despite the 30 year gap between their photos. A legendary photographer of the 60s and 70s music scene, including the Beatle’s last concert, the generational jubilation of Woodstock and the doomed ambience of the Monterey Pop Festival, Marshall has cultivated a 20 year friendship with White, himself a respected celebrity and musician photographer. Now, a much-talked about book, Match Prints, examines this crossing of cultural currents—and tomorrow, designer John Varvatos will lead the conversation in New York.